The Philadactyl reviews Wild
Cheryl's life is
ruined, and she has decided that in order to pull herself together
she's going to walk herself straight by hiking over a thousand miles
along the Pacific Crest Trail (PCT). She begins with little
experience if not none, and over the course of the movie she makes
peace with her past so that she can move forward with her life. This
synopsis could be implemented into a riveting adventure story about
man vs the wild and how Cheryl gains and implements experience into
her travels through nature. It could start with her being afraid,
lonely, tired, and making some foolish mistakes, but show through
various scenarios over the course of several months how she learns to
survive, becomes effective at it, and becomes comfortable with her
surroundings and way of life while on the trail. Such a story should
be about transformation, but alas 2014's
Wild starring Reese
Witherspoon clearly has very little idea of how to do just that.
The
opening scene of the movie tries to draw the audience in, and almost
succeeds to do so, with Cheryl climbing to the top of a mountain to
dress a particularly nasty wound involving her big toe. In doing so,
she accidentally knocks her
boot, the one piece of gear that would protect her wound from her
harsh surroundings, down the mountain. It keeps rolling and rolling
as Cheryl watches in disbelief. This clearly, is not one of Cheryl's
most pleasant moments, and it truly tests her. The audience is left
to wonder just how Cheryl got into this conundrum, and how will she
handle it to overcome it? Any immersion which this dramatic opening
scene had on the audience is instantly broken as Cheryl stands up,
throws her other boot down the mountain, and emotionally yells, “Fuck
you!” Good job, Cheryl, now you have no shoes out in the
wilderness. Oh yeah, that's right, we're watching something that's
fake, something that Hollywood made. I'm sitting in a movie theatre,
because if I was in Cheryl's situation, even if I was emotionally
wrecked and I felt helpless, I wouldn't do anything to intentionally
make my situation worse. Maybe my actions might unintentionally make
things worse, especially if my nerves were shot, or
I might give up for a while,
but out in the wilderness, where you can only help yourself, you
would never knowingly do something to make things worse. The
melodrama that Cheryl engaged in is equivalent to angrily destroying
your phone by throwing it at
a wall. Sure, it's a huge
inconvenience to yourself, and thus a valid expression of
frustration, but it isn't life endangering.
This
opening scene provides the model for the rest of the movie. That
scene isn't returned to. By the end of the movie, we still have no
idea what point in her adventure she was at
when she had climbed that
mountain, how she got hurt, or how she moved own without any shoes.
Due
to the shameless and painful
plug they have later in the
movie, I suppose it can be assumed that REI dropped off a new pair
for her by helicopter.
Cheryl's
hike is then
shown in chronological order, but nothing really happens. There are
plenty of situations which would have to be addressed throughout the
course of hiking a thousand miles across various terrains out in the
wild, but the movie almost never touches on it. Instead, it focuses
on why Cheryl is hiking the PCT in the first place, and thus the
movie gets sucked into a black hole from which there is no
redemption.
During
the course of Cheryl's hike, the movie is constantly cut with scenes
from her past, which are jam packed with generic cheesy drama. I
understand that the movie tried to explain why Cheryl would do
something so dramatic as to
go out and hike a thousand miles through the wilderness, but it went
over the top with it and threw
too much emphasis on it. We get it, she had
a messed up life; you could have
shown
us this in a brief fifteen minute scene if you really wanted
to show us.
That
brings up another point – why show us her past at all? There were
plenty of situations throughout the movie during which Cheryl could
have talked about it with the various characters she encountered on
her adventure, and she did a
little, but the movie mostly relied on actually showing us scenes
from her past. She even got
interviewed at one point by someone writing for the “Hobo Times.”
The scene was one of the few successfully comical moments in the
film, but it lacked the potential to shift focus from Cheryl's past
to her current adventure by exposing her past in a modern sense.
Instead,
for half the movie we
got a series of
discombobulated flashbacks which were just scenes inserting
unnecessary drama and/or sex. They weren't even chronological, and
often times didn't really relate to anything the Cheryl was doing out
in the wild. They were just there for the sake of tugging at the
emotional strings of the audience by quickly triggering them with one
extreme social situation before jumping on to another one. A brief
list of scenes used to do this involve an abusive alcoholic father,
drama over her mother being in the same school as her, an asshole
brother who may have been mentally retarded that got in the way of
his mother bettering herself, distanced himself from her, and didn't
get to reveal how much his mother meant to him before she died
unexpectedly of cancer, Cheryl
cheating a lot on her husband and as a result getting pregnant by an
unknown father, getting divorced, using drugs, getting robbed, and
even a guilt scene about shooting a horse (although this last one
kind of tied into her getting in touch with nature, but by this time
in the movie flashbacks came off as cheap and empty). While these
scenes could arguably be there to provide back story, due to their
over the top nature and multitude they lacked any substance. Instead
of building character they ironically took away from being able to
show Cheryl's transformation along the trail which would have
developed her character
on its own.
This
technique of relying on drama for cheap emotional triggers even
permeated its way into the hike scenes by means of rape fear. There
are at least three scenes during which Cheryl, despite having been
established as a very promiscuous woman (she even brought an entire
roll of condoms with her), is scared of being raped during her
encounters with strangers. None of those strangers ever made a
physical move on her, and those scenes came off as quite unnecessary.
While they revealed Cheryl's insecurity, once would have been enough
to do that, especially since half the time said strangers actually
helped her on her way. This
might be a minor thing to complain about, but in the context of all
the other unnecessary drama the movie throws at you, it's that cherry
on top of a pile of excrement.
The
half of the movie focusing on Cheryl's actual hike is decent, but it
doesn't shine, mostly due to how little focus it has. Character
transformation isn't fluid, making jumps here and there. During an
early scene Cheryl is inside of her tent scared by the noises she
hears outside. Very soon after she's howling with coyotes she hears
in the distance. Out of nowhere she suddenly gets over her ex. The
list goes on. Obviously,
it would have been very difficult to show such transformation because
of how little screen time Cheryl's actual hike was given, and that is
the central flaw to this film.
The
movie doesn't really show her struggling with nature outside of a
small scene here or there. A lot of the hiking scenes involve her
during her breaks at campgrounds and even at a town. Most of the
conversations and events during those scenes are shallow, pointless,
and confusing since Cheryl's character is radically different there
than during her flashbacks. Before her hike she is shown as somebody
who is outspoken and does her own thing to
the point of confidently engaging in reckless and self-destructive
behavior.
Out in the campgrounds and wild she is quite timid. I suppose it can
be claimed that the hike transformed her, but that transformation
wasn't ever shown. Nobody gets to see why
she turned out that way.
My
main gripe with the movie is that it didn't really show Cheryl
tackling nature. It didn't show her struggling to learn the most
basic of survival skills such as making a fire, making inexperienced
mistakes, and then learning from them. Such experiences, and scenes
depicting them, should have been central to showing Cheryl's
transformation. Instead, the closest the movie comes to this is a
scene where Cheryl buys the wrong type of fuel for her stove, a scene
where she trims down her pack so that it's not as heavy, and a scene
using iodine tablets to purify some water from a puddle she found.
Notice that all those scenes involve her dealing with gear, not
nature (although to give the
movie credit, Cheryl does get swept away a little by a river).
She was relying on finite resources to survive rather than bending
nature to her needs. Hell, at the end of the movie she burns the
pages of a book by themselves without using them as kindling to start
a proper campfire. Good job, Cheryl, that fire lasted you fifteen
minutes at most. Now what are you going to do?
Like
all of her life decisions, her conclusions came out of nowhere and
the movie was over. I will say that I did buy what she had to say at
the end of the movie, about how she accepted her past rather than
regret it since she had learned from it. It was a realistic
conclusion, but the ending was rather abrupt. There wasn't really any
indication that Cheryl was reaching her destination, physically or
internally. She came to a sign before a bridge and went into a
monologue. Some post script about how she eventually found a new man
and had a child with him was shoved down the audience's throat and
the credits rolled. At the end of a movie about a journey, I didn't
feel like I had gone anywhere.
Wild
is a drama film trying to disguise
itself as an adventure film about inner and outer exploration. It
doesn't really know what it wants to do, and this ultimately becomes
as self-destructive as the protagonist's past. Although it's clear
that the filmmakers wanted to take the audience on a journey of
reconciliation and transformation that only prolonged exposure to the
wild outdoors can do,
it failed to actually do so since there isn't really any journey
between the beginning and the end, and it got so tangled up in it's
own back story that the conclusion is abrupt and empty.